2007-2013?

Studium der Anglistik, Mathematik und der Erziehungswissenschaften?

Universit?t Augsburg, University of Newcastle upon Tyne

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2013

1. Staatsexamen

Univesit?t Augsburg

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Seit 2014

Wissenschaftlicher Mitarbeiter am Lehrstuhl für Englische Literaturwissenschaft (seit 2019 als akad. Rat a.Z.)

Universit?t Augsburg?

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2019

Promotion zum Dr. Phil. ("summa cum laude")

Universit?t Augsburg

• metaphysical poetry
• affect theory
• new formalism
• literary ethics
• environmental humanities
• contemporary British drama
• contemporary Anglophone narrative fiction

Monograph:

• Riedelsheimer, Martin (2020): Fictions of Infinity: Levinasian Ethics in 21st-Century Novels. Dissertation, Universit?t Augsburg, Berlin: De Gruyter. DOI: https://doi.org/10.1515/9783110712407;

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Editorship:

• Riedelsheimer, Martin (co-edited with Martin Middeke) (2022): Journal of Contemporary Drama in English: Special Issue - Critical Theatre Ecologies.

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Articles and Book reviews:

• Riedelsheimer, Martin, and Leila Vaziri (2023): Ecology in a Loop: Cyclical History and Alternative Epistemologies in Ella Hickson's Oil. In: Christopher Schliephake, Evi Zemanek (Hg.): Anticipatory Environmental (Hi)Stories from Antiquity to the Anthropocene. Lanham: Lexington Books, S. 295-309.
• Riedelsheimer, Martin, and Martin Middeke (2022): Co-mutability, nodes, and the mesh: critical theatre ecologies – an introduction. In: Journal of Contemporary Drama in English 10 (1), S. 2-25. DOI: 10.1515/jcde-2022-0002;
• Riedelsheimer, Martin (2022): Ecology and the ethical milieu: a Levinasian ecological reading of Joe White's Mayfly. In: Critical Stages / Scènes critiques (26).; Riedelsheimer, Martin (2022): Revolution, satire and staging dissensus: Alice Birch's Revolt. She Said. Revolt Again. and Marlene Streeruwitz's Mar-a-Lago. oder. Neuschwanstein. In: Litteraria Pragensia 32 (63), S. 8-23. DOI: 10.14712/2571452x.2022.63.2
• Riedelsheimer, Martin (2022): Book Review: Hogg, Emily J.; Simonsen, Peter (eds.). Precarity in Contemporary Literature and Culture. London/New York: Bloomsbury Academic, 2021. In: Kritikon Litterarum 49 (3-4), S. 375-380. DOI: 10.1515/kl-2022-0047
• Riedelsheimer, Martin and Eva Ries (2021): This narrator nothing affirms, therefore he lies? Truth-speaking and discursive power in Teju Cole's Open City. In: Monika Fludernik, Stephan Packard (Hg.): Being untruthful: lying, fiction, and the non-factual. Baden-Baden: Ergon (Faktuales und fiktionales Erz?hlen ; 9), S. 305-322.
• Riedelsheimer, Martin and Korbinian St?ckl (2017): The mobility of suffering: cosmopolitan ethics in Debbie Tucker Green’s plays. In: Journal of Contemporary Drama in English 5 (1), S. 112-125. DOI: 10.1515/jcde-2017-0009
• Riedelsheimer, Martin (2017): Vulnerability and the community of the precarious in David Greig's "The Events". In: Mireia Aragay, Martin Middeke (Hg.): Of precariousness: vulnerabilities, responsibilities, communities in 21st-century British drama and theatre. Berlin: de Gruyter (Contemporary Drama in English Studies ; 28), S. 203-216. DOI: 10.1515/9783110548716-014

2007-2013

Stipendiat des Max Weber-Programms Bayern

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2008-2013

Stipendiat der Studienstiftung des deutschen Volkes

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2019

Wissenschaftspreis der Universit?tsstiftung Augsburg

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2021

Dissertationspreis des Deutschen Anglistenverbands im Bereich Literatur- und Kulturwissenschaft